約 2,576,181 件
https://w.atwiki.jp/bemanilyrics/pages/1262.html
DO IT ALL NIGHT / E-ROTIC Oh do it all night do it with me I ll take take you to heaven if you make me feel free day Baby do it tonight do it all right just take me and shake me till I burn up inside Aaahhhh... You may have good sex with Sam and Fred and Fritz and Max you may be the slave of Tim and Tom and Ed and Dave You may do it again with Hans and Franz and Jack and Ken but you re gonna feel so free when you re doing it with me Oh do it all night do it with me I ll take you to heaven if you make me feel free Baby do it tonight do it all right just take me and shake me till I burn up inside Oh do it all night do it with me as hot as a fire and as strong as a tree Do it tonight do it all right you got it - I knew it - you can do it tonight (as hot as a fire) (and as strong as a tree) C mon do it with me
https://w.atwiki.jp/ondating/pages/10.html
Many people are looking for casual dating partners. Casual dating is a type of dating that usually happens without much planning. It typically involves one night stands, friends with benefits, and other types of short-term relationships. Some people say that the best way to find a casual date partner is to just go out and meet someone you re attracted to that you know you d like to sleep with. Others claim it s better to go on an online dating site or apps. While others suggest social gatherings, parties, bars, clubs, restaurants, grocery stores and other public places where people might be looking for casual dates. The Importance of Finding the Right Casual Dating Partner It is important to find the right casual dating, because there are many options available. People have different preferences when it comes to dating. Some prefer serious relationships, others prefer occasional dates with no commitments, while some want just a hook up. The good thing about casual dating is that people can take things at their own pace and find someone compatible for them. The downside of casual dating is that people are more likely to get hurt emotionally because the other person might not be interested in any kind of commitment or they might not even show up on the date. The other downside is that people will often feel guilty for finding someone who they can have fun with instead of focusing on finding a serious relationship partner. Finding the right casual dating partner can be difficult. However, there are many ways to get to know someone casually before you commit to anything serious. The best way to find a suitable casual date is by looking for someone who shares mutual interests with you. It will make the interaction more natural and you ll enjoy it more, too. What to Look for in a Casual Dating Partner When we are looking for a casual date partner, we should look for someone who is physically attractive to us and has a sense of humor. One way to get to know someone is by having a casual date. This means that there are no strings attached and you can get to know the person outside of the context of work or school. Casual dating partners must have specific attributes in order to suit your needs. If you want to have a fun, enjoyable evening on a casual date, then there are certain attributes that you should look for in your partner. It s not necessary to find someone who is like you, and it may be more fun and less awkward if you focus on finding someone with different interests. That way, they can show you new things and teach you about what they like to do in their free time. Anyway, you ll likely want to find someone who has similar values. Tips for Successful Casual Dating Online There are numerous ways to find a date, but the easiest and most convenient way is through dating apps. Here are some tips for finding a date on dating apps. 1. Upload photos of yourself from your profile. If one has no pictures up, it may be hard for others to see what they would be looking at when they went on a date with them. 2. Complete the bio - fill in as much information as possible about oneself and what they re looking for in a partner, including height and weight requirements if there are any. 3. Have someone else take photos of you if you don t know how to do it well or just prefer not to take selfies - this will ensure that the pictures are flattering and not awkward-looking shots taken from below your chin or something like that! When it comes to finding a date, there are so many options available. But, if you don t want to go to a bar and wait around for someone, you can try online dating. What is the Different between Hooking up and Casual Dating? Hooking up is different than casual dating because of the level of commitment and intimacy. Casual dating is more of a committed relationship where you are in a committed relationship but you are not yet ready to be in one. A hookup can be anything from making out to sexual intercourse. It may last only a few minutes or hours and doesn’t always involve exchanging names or contact information. Research has shown that there is no correlation between hookups and mental health, but casual dating will last longer than just one night. There appears to be an inverse correlation between casual dating frequency and mental health, meaning that the more often they date, the better their mental health will be.
https://w.atwiki.jp/ria5m9/pages/21.html
右よせ 右よせ あああ{いいい}ううう あああ{いいい}ううう
https://w.atwiki.jp/ria5m9/pages/22.html
左よせ 左よせ 左よせ
https://w.atwiki.jp/chant/pages/273.html
Righty 【Member】 りゅうさん なべさん ひげさん とおやま こがっちょ あい 【Songs】 Lovin You/Vox One ピリオド/RAG FAIR アカツキの詩/スキマスイッチ
https://w.atwiki.jp/fffkindle1212134/pages/32.html
Code Geass 17. Knight The young Britannian Lelouch is faced with a choice between two divergent paths One leads to the past, in a quest to find his mother's enemies. The other way takes him to the future, where he will create a world in which his little sister Nunnally can live happily. Only Lelouch can choose which direction he will go. Will he follow the path that ends in destruction of the world, or will he travel the road to building a bright new one? STAGE 17 KNIGHT Suzaku... I finally understand. You... Suzaku, what Mao said... Did you do it? Did you kill your own father? I see. It's not just your secret, is it? Lelouch, I... Kirihara -- I think that was the old man's name. He claimed that Prime Minister Genbu Kururugi killed himself in order to stop all of those in his cabinet who called for do-or-die resistance. The story was a necessary one, for Japan and Britannia. Thank you for that. Frankly, he's at odds with himself because he used to be different. He never placed any importance on another person. It was tough enough for me to kill my half-brother. If Suzaku killed his father when he was only ten years old, he's been carrying that burden around all these years? C'mon, Lelouch, quit moving around, will ya?! O--oh, sorry guys. No, your sight line was lower. Like this? No. Too far, a little higher! Good? Now your expression's totally different from when we started! This was like this, that went kinda like that, and this was here! There! That's not how he was! I liked the frowny face more! C'mon, everyone! I prefer him looking clueless! Shirley, don't we have math for first period? Don't you remember, it's Art Week. Prince Clovis had declared that. We will open Art Week with the dedication of the Clovis Memorial Museum of Art. You, Princess Euphemia, will select the first place winner from among these submitted works. Oh, this one's nice! I particularly like this painting. It's regrettable that our investigation revealed that the artist happens to be one-quarter Eleven. Perhaps it shouldn't have been displayed here in the first place then. Well, it's a delicate balance with our public. Anyway, take a look at that painting right there. It was painted by the son of Marquess Nicolai. Octopus hot dogs... Hmm, that girl... Excuse me. Hmm?! No, these aren't what you think! We have visitors. They also have an introduction from Kyoto. You're the... Four Holy Swords. I'll get straight to the point here we've come to you today to ask for your help. How do you mean? Lt. Col. Tohdoh has been apprehended. He sacrificed himself so that we could escape. I see. We'll help them. You sure? The Black Knights fight for the cause of justice. There's nothing odd about that. We'll use assembly method B-13. Take the section Knightmares via course 18. You can have Diethard handle it. Also alert those who are to rendezvous with us. Sorry I didn't meet with the Chinese Federation. Don't worry about it. I've revised all our plans with them. Making any chances in your usefulness to me will only hinder the plan. Besides, two chess pieces I've been wanting will be mine today. And with any luck, a third... Today, Kyoshiro Tohdoh will be executed. I won't be present for that now that the Japan Liberation Front is defunct. Right. No, wait. Let him handle the execution. Viceroy! Sorry to summon you like this. How's everything at the museum? The dedication is later on. Of greater importance though, the N.A.C. reported there was unrest in Ishikawa. Probably backed by the E.U. or the Chinese Federation. And there have also been sightings of Gun-Rus. (ガン・ルゥ 鋼髏 Gang Lou) Still, it's our chance to bring Hokuriku under control. I'll leave Darlton here while I'm gone. If anything happens, consult him. Also, concerning what we spoke of earlier... You may choose any of them to be your knight. They're all excellent soldiers from respected families. Yes, the pond does freeze solid in the winter. Although Big Brother scolded me once when he caught me skating on it. We had a pond too at the Kururugi Shrine. It was small, but I used to catch zarigani... I--I mean, crawdads, all the time. You would catch crawdads? How? It's simple -- you just tie a string to a frog's back leg. Huh? Frog? As in those things that sit on lily pads and go croak? Yeah, but in Japanese they go "kero-kero, kero-kero." Huh? Kero? Yup. Kero-kero! If things continue at this pace and keep proceeding according to plan, I won't be able to stay with Nunnally any longer. That affair with Mao also drove home the fact that I need someone to protect my little sister. Whoever that person will be, if Nunnally is the one who gives him a reason to live, then... L--Lelouch? I need to... tell you-- Suzaku! Lloyd says it's urgent! Who's that? She's a soldier. Friends of yours? Yes. I'm sorry, but I need to pull Suzaku away from you for a while. Uh, but I'm... Don't worry. I told you it's all right. That guy isn't going to come back here. Right. See you then. Please come again, Suzaku. I will. Suzaku! Huh? When you return, there's something that I want to discuss. It's an important matter. Uh-oh. I'm nervous. I'll talk to you when I get back. Well, it seems that Suzaku's really important to them. I'm glad. Nunnally... you seem fond of Suzaku. Am I right? I adore him. But of course, I love you more than anyone, Lelouch. I see. Shirley, I'm gonna go on ahead. Oh, just wait up, will you? Oh, great... Hm? Sub-Viceroy, Is it true that no Eleven companies were used in the construction of this museum? W--well, with regard to that question, I-- We're looking into it right now, so we have no answer at this time. Idiot! Why bother asking Princess Euphemia about politics?! Keriman from Interstate. Your Highness, there have been rumors lately that you're close to choosing your knight. Uh, um, a knight. Yes, well, you see, I'm-- Ladies and gentlemen, we ask that you please limit your questions to those concerning the museum only. I told you not to bunch up all the hydro lines in one place! That's why I said it was different from a Burai! Are you sure it's a good idea to throw in with the Black Knights? Can you think of any other way to rescue Col. Tohdoh? There's also what Kyoto said, that they'd lend us the new models. Still, their principles seem to be somewhat off. We're not ethnocentric, but after all, you already know that. We can worry about the details after we've rescued the colonel. I understand. But no matter where Tohdoh may be, it's the place I belong. Look, just stuff 'em in and close the lid for crying out loud! It's almost time to move out! Take your time and treat it with the utmost care! It was far more fragile than any of you when I gave birth to it! Huh?! Who the hell are you?! I am its mother! You arrived on time. Are you Zero? It's a pleasure. I've heard a lot of things about you. The pleasure is all mine, Rakshata. I've been reading about you on the net for some time now. You have? The articles relating to medical cybernetics. I do hate talking about the past. Anyway, here. Hm? A souvenir from Kyoto. Excuse me, is this really going to improve the interfacing system? No, of course not. Huh?! It's going to improve your life expectancy. I just heard they changed your executioner. It's going to be Warrant Officer Suzaku Kururugi. You ought to be glad it's someone you know. What? You mean my signature again? Even though Princess Cornelia ordered this, there are still some formalities to be followed. A change of executioner is the most exceptional circumstances. What was that?! What happened?! Good. Now we're free of hellish paperwork. Colonel, we're coming to save you! These Gekkas are awesome! Way superior to the Burais! Yeah, you got that right! Hmm... You think the sub-weaponry's linkage isn't tight enough? No, however I suspect it might be the line. I'm reading a 0.7 variance to specs. Obviously those old codgers in Kyoto need to supply us with better parts. Hmm? My superiors have just ordered that you be unofficially executed before you're busted out of here. Any last words? It's a life I gave up once before. It's worth nothing. In that case, I'll claim your life for myself! What the?! Zero. Kyoshiro Tohdoh, the only Japanese who, seven years ago, brought the mighty Britannian forces to their knees in defeat. You mean Itsukushima? You want me to perform a miracle for you as well? That was no miracle. It ended in victory because it was based on excellent intelligence work! That's why I want you. I pledged my loyalty to Gen. Katase. Now that he's dead, I wish to die too. Don't be a coward! What?! You must take responsibility! Responsibility for the miracle that you made! The Area 11's resistance movement is more intense than that of any other Area because Japan surrendered before exhausting all of its military strength. You failed to continue the great hope known as the Miracle of Itsukushima! You're saying it's my fault? Yes. People grasp at illusions because they're desperate for miracles. Why else has there been such rampant use of Refrain? You must endeavor! To the bitter end beyond all that's decent, and then you can die! Till the name of Tohdoh the Miracle has grown ragged and tattered! You're telling me that the Japanese people can't accept their defeat until then? Till now they had to accept it. However, now that I'm here there's hope because I can likely turn their dreams into reality. Heh... And now for the highlight of today's events, Princess Euphemia will select the grand prize winner. The work upon which you place this flower will be deemed the winner, Your Highness. Colonel! Welcome back, Col. Tohdoh! Thank you. You've all worked so hard for this. No effort at all, sir. Cooperate with Zero! Eliminate the remaining forces here! Roger! Now all the tasks at hand have been cleared, and Nunnally's knight has already been chosen. That leaves only-- Damn! What's he doing here?! Well, how convenient -- the one problem left to contend with has come here on his own. Please, Your Highness. It's time for you to decide. We can't wait any longer. I know, but I... But I... Hello? Escaped? They're skilled fighters. Oh, my... Aren't those new enemy models amazing? However, Ms. Cécile... Yes? In hindsight, it's certainly quite fortunate that the Lancelot's trailer is our primary means of transport. No, it's because you spent our entire budget on the Lancelot itself. That's hindsight. That's it? The white Knightmare that's given such trouble to Zero? Huh? Yeah. Hmm... That's crazy! One against seven? But that Lancelot Knightmare is holding its own! Whoa, it dodged it! Wow, and again! You show 'em, White Knight! Listen, send in everything we've got. Then support Kururugi, and make him report that we're wiping out the terrorists. Zero, do you have any data available on this unit? Possibly. However, I want you to do exactly as I say. Ah, very well. I'll defer to you in this. All units, give him distance! Its speed and maneuverability are truly astonishing. Nevertheless... Its movements follow a predictable pattern! Its initial attack is always straight on! It never feints that first move! Once you dodge that attack, he immediately moves to avoid your offensive! Check the data I'm sending you! S-5-7! Hey. He's really doing it. Right! So now the next move he makes will be... falling back to the rear! Coordinates X-2-3! And with that... check! I know this! Who dares to anticipate my moves? No matter. Damn it! He doesn't have an ejection block on it! What? You mean we didn't install one?! No way... Is that really you... Suzaku?! Wha--?! Huh?! Zero, what now?! Give us our next instructions! Zero! All this time it was him...? Suzaku...! Hey, isn't that?! That's Suzaku Kururugi! The one accused of killing Prince Clovis?! That's enough! Turn off the monitor, now! Wait, please! What?! I'd like to watch it to the end! Good, I can still pilot! Do not do this, Suzaku! Col. Tohdoh! So then... you wanna live more than you wanna follow your own principles?! Do I disappoint you? Very well, then keep to your schedule and execute me! But why...? Why are you there... You can't be because you... have to be by Nunnally's side! What's wrong?! That's the reason you're here, isn't it?! You have become a cowardly boy who's afraid of altering the status quo! Denying everything in our society is pointless! Once I make them trust me, I'll have the power to change it! You're serious?! I'm dead serious! Then you must continue down that path! Regardless whether you win or lose, you will achieve nothing unless you're prepared to sacrifice everything! And that goes for countries as well as individuals! Right! Zero, do we do?! Capture him, or--? Zero! We're destroying the white Knightmare! Got that? Wait for Zero's orders! We're not waiting! Capt. Senba, take Spinning Life or Death Formation! Roger! Don't do it! No, wait! Stand down! Don't worry! It's a synchronized four-way attack! He'll never dodge it! Mmm, Kururugi, release the harken booster quickly! The password's my favorite food! It can't--! No way! Huh?! Are you okay? Interesting fighting style he uses! This time, Asahina, circle around to the left! Stop it! Zero?! We've done enough fighting for now. We've achieved our objective here. Use escape route 3! Withdraw immediately! An unwinnable battle's not the same as a lost battle. You seem to be very aware of that, Zero. Wait! Now releasing chaff smoke! Look, they're running! He fought them off?! The Black Knights?! Suzaku... well done. Damned traitor! Why won't he follow them?! 'Cuz they're Elevens, like him. Of course! I thought one against seven was a bit much to swallow. Princess Euphemia? All of you! I'll now answer the question you asked me earlier! You had inquired as to whom I would select to serve as my knight, correct? The knight I had chosen will be the young man you see before you Warrant Officer Suzaku Kururugi! Tohdoh, I--I'm your... I am your foe! Hey, isn't Zero coming out? No. I called him, but he won't answer. What's wrong? Suzaku Kururugi... is he my enemy? The man who I intended to be Nunnally's protector is now Euphemia's knight. The Black Knights stand ready for battle, but am I ready for this? Must I carry on regardless? So that I can reshape the world into what I want it to be.
https://w.atwiki.jp/kumicit/pages/689.html
Kumicitのコンテンツ 関連ネタ 左翼の反進化論 Matt Cartmillが語るLeftとRightの反進化論の理由 Religious Rightは進化論を「Unguided(導かれない), Undirected(方向性のない), Purposeless(無目的)」な過程だとして嫌ってきた。これとほぼ同じことを Leftistたちもまた主張してきた 。 Religious RightとLeftistという政治的・思想的に真逆のポジションをとる両者の意見が、進化論について一致する理由をMatt Cartmillが既に1998年に説明していたので、紹介する。 The idea that people evolved from apes millions of years ago is a testable scientific hypothesis. The idea that humankind was specially created in 4000 B.C. is also a testable hypothesis, and it happens to be wrong. But the idea that Nord and his evangelical allies want to introduce into biology classes--that nature expresses God s purposes--isn t a scientific issue at all, because there s no way to test it. People have been arguing about it for millennia and getting nowhere. The creationists point to all the things in nature that look beautiful, orderly, and efficient. The skeptics respond by pointing to other things that look ugly, messy, cruel, and wasteful. The creationists retort that they only seem that way to the finite human mind. Maybe so. But since no tests are possible, all that science can do is shrug. 人類が数百万年前に類人猿から進化したという考えは検証可能な科学的仮説である。紀元前4000年に人類が特別に創造されたという考えも検証可能な仮説であり、誤りだと示されている。しかし、Nordと彼の福音主義の同盟者たちが生物の授業に持ち込もうとしている考え、すなわち自然は神の目的を表現しているという考えは、科学の問題では全くない。というのは、検証する方法がない。人々は千年にわたって論じてきたが、答えは出ていない。創造論者たちは、美しく、秩序だって、効率的に見える、自然界にあるものすべてを指摘する。懐疑論者たちは醜くて、汚くて、残酷で、浪費的に見える他のものを指摘することによって応える。創造論者は有限な人間の精神にはそう見えるだけだと切り返す。そうかもしれない。しかし、検証不可能なので、科学にできることは肩をすくめることだけである。 That shrug is really what distresses the crusaders against science, on both the left and the right. Both camps believe passionately that the big truths about the world are moral truths. They view the universe in terms of good and evil, not truth and falsehood. The first question they ask about any supposed fact is whether it serves the cause of righteousness. Their notions of good and evil are different, but both see the commonplace surface of the world as a veil of illusion, obscuring the deeper moral truths behind everything that give life its meaning. "Commonsense reality," insists the left-wing anthropologist Nancy Scheper-Hughes, "may be false, illusory, and oppressive. . . . [We must] work at the essential task of stripping away the surface forms of reality in order to expose concealed and buried truths." 科学が肩をすくめることは、RightとLeftの両方において、科学への聖戦者たちを真に苦しめる。RightとLeftはともに、世界についての大いなる真理は道徳的心理であると情熱的に信じている。彼らは善悪という言葉で宇宙を見るのであって、真偽ではない。事実と思われることについて、彼らがまず問うことは、それが正しさの原因にかなうものか否かである。彼らの善悪の定義は違っているが、両者ともに、世界の表層は幻想のベールであって、生命に意味を与える、すべての背後にある深い道徳的真理を覆い隠すものだと見ている。Left-wingの人類学者Nancy Scheper-Hughesは「常識的現実は、間違いであり、幻想であり、抑圧的であるかもしれない。我々は、隠され埋められた真理を明らかにするために、現実の表層を剥ぎ取るという本質的な仕事をすべきである。」と主張する[*]。 For many people on the academic left, the facts reported by science are just the surface layer that has to be scraped off to expose the underlying moral and political reality. This postmodern approach to facts is a lot like that of the premodern St. Augustine, who wrote in the fifth century A.D. that we should concern ourselves with what Bible stories signify "and not worry about whether they are true." Academic Leftの多くの人々にとって、科学が報告する事実は、深層にある道徳と政治的現実を露にするために剥ぎ取らなければならない表層にすぎない。この事実へのポストモダンなアプローチは、「聖書が指し示すもののみを問題にすべきであって、それらが真かどうかを迷う必要はない」と書いた前近代の聖アウグスティヌスと似通ってる。 Science, however, worries only about whether things are true and has no opinion about what they signify. In so doing, it offends both the religious right and the academic left. Both camps reject its claim to being objective and morally neutral. Because they don t think such a thing is possible, they see the pretended objectivity of science as a cover for ulterior motives. The idea of evolution is especially offensive in this regard because it implies that the universe has been value free through 99.9 percent of its history, and that people and their values were brought into being by the mechanical operations of an inhuman reality. Both the religious and the secular creationists see human life as defined by the moral choices we make. Naturally, they shrink from the biologists vision of people as animals (since animals don t make moral choices). The right-wingers think Darwinism promotes atheism, while the left-wingers think it promotes capitalism; but both agree it s just another competing ideology, which deserves to be cast down from its high seat of intellectual privilege. しかし、科学は物事が真かどうかだけを問題にしていて、それが意味するところについての意見を持たない。それは、Religious RightとAcademic Leftの両方を怒らせる。両者はともに、客観的であるとか、道徳的に中立といった主張を拒絶する。彼らはそんなことは不可能だと考えているので、科学の装われた客観性がその下心を偽装するものだと考える。彼らは特に進化の考え方に敵対する。というのは、宇宙はその歴史の99.9%は価値がなく、人々とその価値は非人間的な現実の機械的活動によって生み出されたものだということを意味するからである。宗教及び世俗の創造論者たちは人生を、我々による道徳的選択によって定められるものだと見ている。動物は道徳的選択をしないので、当然のごとく彼らは、動物としての人間という生物学者の視点を受け入れない。Rightはダーウィニズムを無神論を推進するものだと思い、Leftは資本主義を推進するものだと考える。しかし、両者はダーウィニズムが競合するイデオロギーであり、知的特権の高みから投げ落とされるに値するものだという点で一致する。 [*] Nancy Scheper-Hughes "Death without weeping The violence of everyday life in Brazil ", University of California Press, Berkeley, 1992. p.171 [ Amazon ] [ Matt Cartmill "Oppressed by evolution - Christian right, multicultural left united against theory of evolution - Cover Story", Discover, March, 1998 ( COPY )] これらMatt Cartmillの説明、すなわちReligious RightとLeftistsがともに「下心なき客観的事実についての言明はない」と「宇宙と人間の価値・意味」という視点を持っているからという説明は、もっともらしい。 実際、「科学の原則たる方法論的自然主義(methodological naturalism)」などありえないと考えるReligious Rightたちは、「科学＝形而上学的自然主義(Metaphysical naturalism)＝唯物論(materialism)」であり、「神に言及しない＝無神論」だと批判し続けている。 Matt Cartmillによれば、Leftistsたちは次のように思考する。 The academic left is a diverse group. It includes all shades of opinion from the palest pink liberals to old-fashioned bright red Marxists. Probably no two of them have the same opinions about everything. But a lot of them have bought into some notions that are deeply hostile to the scientific enterprise in general and the study of evolution in particular. Although these notions are often expressed in a mind-numbing "postmodern" jargon, at bottom they re pretty simple. We can sum them up in one sentence Anybody who claims to have objective knowledge about anything is trying to control and dominate the rest of us. Academic Leftは多様なグループである。薄ピンクなリベラルから時代遅れの濃赤色のMarxistsまで様々な意見を含む。諸問題について二人として意見が同じ者はいないだろう。しかし、彼らの多くは科学界全般、特に進化論研究に対して深く敵対的な主張で共通している。これらの主張はポストモダンの意味不明な用語で提示されるが、本質的にはまったく単純である。彼らの主張を一言で言うなら「何かについて客観的知識があると主張する者は、我々を制御し支配しようとしている」 The postmodern critique of science runs something like this There are no objective facts. All supposed "facts" are contaminated with theories, and all theories are infested with moral and political doctrines. Because different theories express different perceptions of the world, there s no neutral yardstick for measuring one against another. The choice between competing theories is always a political choice. Therefore, when some guy in a lab coat tells you that such and such is an objective fact--say, that there isn t any firmament, or that people are related to wolves and hyenas--he must have a political agenda up his starched white sleeve. ポストモダニズム的な科学批判は次のようなものである。「客観的事実は存在しない。事実だとされるものは理論が混入している。そしてすべての理論には道徳的かつ政治的教義が巣食っている。異なる理論は世界についての異なる認識を表明するので、互いを比較する中立不偏な物差しは存在しない。競合する理論からひとつを選択することは、常に政治的選択である。従って、白衣を着た者が、これとこれとは客観的事実だと言うとき、たとえば、蒼穹がないとか、人々は狼とハイエナに関連しているとか言うとき、その白衣の下に政治的動機があるはずである。 "Science is politics," writes Robert Young, editor of the journal Science as Culture. "Recent work has made it clear to those with eyes to see that there is no place in science, technology, medicine, or other forms of expertise where you cannot find ideology acting as a constitutive determinant." 「科学は政治である。イデオロギーが決定的要素として働いていない専門分野は科学にも工学にも医学にもない。」とScience as Culture誌の編集者Robert Youngは書いている[*]。 [*] Robert M. Young "Science, ideology and Donna Haraway" [ Matt Cartmill "Oppressed by evolution - Christian right, multicultural left united against theory of evolution - Cover Story", Discover, March, 1998 ( COPY )] このような例を、たとえばLeftistな集団遺伝学者Richard Lewontinに見ることができる。 この還元主義とは、世界は小さなあれこれの断片に分けることができ、その断片のそれぞれには固有の特徴があり、それら断片をくみあわせるとにより大きな集合物が作りだされるという考え方です。たとえば、個体は社会を作りあげ、社会は個体の特徴の現れ以外のなにものでもありません。個体の内的な特徴が社会の原因であり、社会全体の特徴は、これらの原因の結果によるものです。生物の世界へのこのような個体中心の見方は、あらゆるものの中心に個人をおく18世紀のブルジョア革命のイデオロギーの反映にすぎません。 [レウォンティン(川口啓明・菊池昌子訳) 遺伝子と言う神話, 大月書店, 1998], 科学は社会を反映する pp.123-124 Lewontinはたまたまこんな一節を書いたわけではない。Lewontinはこれ以前にもEO Wilsonの社会生物学、Richard Dawkinsの利己的遺伝子というメタファーなどをLeftistとして徹底して批判していた。 まさに、Matt Cartmillが指摘するように、Academic Leftはいかなる科学理論・仮説の背後にもイデオロギーを見る。創造論者たちが進化生物学に無神論を見るように。
https://w.atwiki.jp/vocaloidenglishlyric/pages/303.html
【Tags Len M Mizuno Yura Nori-P NoriP Rin tB tT】 Original(Rin version) Original(Len version) Music Title 右肩の蝶 English music title Butterfly on the Right Shoulder / Butterfly on Your Right Shoulder Romaji music title Migikata no Chou Lyrics written by 水野悠良(Mizuno Yura) Music written, Voice edited by のりP (Nori-P) Music arranged by のりP (Nori-P) Singer [Rin version] by 鏡音リン (Kagamine Rin), [Len version] by 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics [Rin version] (translated by motokokusanagi2009)： A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head Ah~ A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head I'm having a nightmare, Wake me up, hurry A beginning is always trivial, right? Don't ask me where I feel good, I can't give you an answer A beautiful night deluded me And I've lost my way Make my eyelashes longer, Create a crecent shape above the lash lines Wear a glossed lip A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head Dissonace in my head In the corner of the room Dissonace in my head Na Na Na... I got wet with rain, My hair looked frozen I gave vent to lonliness Into a toilet bowl I'm shivering and waiting for you I chase you And then runaway from you, So chase me more I'm serious, If you think it's a joke, You'll get hurt, understood? Painted red nails And a cheap ring on my finger Everytime I get hurt, I buy new earings Snuggle me, I have a black hole in my body You're the only one Who can fulfill my heart Aren't you the one? You know you are, I can't control myself anymore Snuggle me, I have a black hole in my body You're the only one Who can fulfill my heart Aren't you the one? You know you are, I can't control myself anymore A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head English Lyrics [Len version](translated by motokokusanagi2009)： A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head Ah~ A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head I'm having a nightmare, Wake me up, hurry A beginning is always trivial, right? Don't ask me where I feel good, I can't give you an answer A beautiful night deluded me And I've lost my way Make my eyelashes longer, Create a crecent shape above the lash lines Wear a glossed lip A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head Dissonace in my head In the corner of the room Dissonace in my head Na Na Na... I got wet with rain, My hair looked frozen I gave vent to lonliness Into a toilet bowl I'm shivering and waiting for you I chase you And then runaway from you, So chase me more I'm serious, If you think it's a joke, You'll get hurt, understood? Painted red nails And a cheap ring on my finger Everytime I get hurt, I buy new earings Snuggle me, I have a black hole in my body You're the only one Who can fulfill my heart Aren't you the one? You know you are, I can't control myself anymore I'm so regretful That I wanna die I get as much pleasure as regrets I'm gonna go nuts, Stop me please, Make me come off And kill me right away What leaked out of the wound is love or, ah... I'm so regretful That I wanna die I get as much pleasure as regrets I'm gonna go nuts, Stop me please, Make me come off And kill me right away Snuggle me, I have a black hole in my body You're the only one Who can fulfill my heart Aren't you the one? You know you are, I can't control myself anymore A purple butterfly on your right shoulder We kissed In the corner of the room Iearned what it's like To have a heartrending feeling Sounds of a piano rebounded, Dissonace in my head (2x) Romaji lyrics [Rin version](transliterated by motokokusanagi2009)： migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon warui yume ni unasareta watashi o hayaku okoshite donna koto demo hajimari wa sasai na koto deshō? doko ga īka nante kikare temo komaru kirei na yoru ni madowansareta mama yukue fumei dakara nagai matsuge mikazuki eyeline mabuta ni nose te hikaru lip migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon ame no naka de nureta kami ga ijō ni tsumetakute samishisa o toilet ni haki dashite furuete matteru oikakete wa nigeru kara sore ijō de kaeshite shinken dakara warau to itai me ni au yo ī? akai tsume to yasumono no yubiwa kizu tsuku tabi fueru piasu daki yosete yuganda karada umeru nowa anata shika inai sō deshō? wakatteru kuse ni kyōkai sen tokku ni koeteru [deshō de de deshō dede dededede dede dede dede dedede dededede dede dededede dede dededede dededede dededede dede deshō dede dededede dede dededede dede deshō dede dededede dede dedede dede deshō dede dededede dede dede dedede dede dedede dededede dededededede de] kizuguchi kara toke dashita mono wa aijō sore tomo ah... kōkai wa shinu hodo shiteru sono bun dake kaikan o yobi samasu kurui dashita watashi o tomete isshun de raku ni shite yo migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon Romaji lyrics [Len version](transliterated by motokokusanagi2009)： migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon warui yume ni una sareta watashi o hayaku okoshite donna koto demo hajimari wa sasai na koto deshō? doko ga iika nante kikare temo komaru kirei na yoru ni madowa sareta mama yukue fumei dakara nagai matsuge mikazuki eyeline mabuta ni nosete hikaru lip migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon ame no naka de nureta kami ga ijō ni tsumetakute samishisa o toire ni haki dashite furuete matteru oi kake tewa nigeru kara sore ijō de kaeshite shinken dakara warau to itai me ni au yo ii? akai tsume to yasumono no yubiwa kizu tsuku tabi fueru piasu daki yosete yuganda karada umeru nowa anata shika inai sō deshō? wakatteru kuse ni kyōkai sen tokkuni koe teru kōkai wa shinu hodo shiteru sono bun dake kaikan o yobi samasu kurui dashita watashi o tomete isshun de raku ni shite yo kizuguchi kara toke dashita mono wa aijō sore tomo ah... kōkai wa shinu hodo shiteru sono bun dake kaikan o yobi samasu kurui dashita watashi o tomete isshun de raku ni shite yo daki yosete yuganda karada umeru nowa anata shika inai sō deshō? wakatteru kuse ni kyōkai sen tokkuni koe teru migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon migi kata ni murasaki chōcho setsunai to iu kanjō o shiru fukyō waon Romaji lyrics [Len 3.0.1 version](transliterated by motokokusanagi2009)： migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon warui yume ni una sareta watashi o hayaku okoshite donna koto demo hajimari wa sasai na koto deshō? doko ga iika nante kikare temo komaru kirei na yoru ni madowa sareta mama yukue fumei dakara nagai matsuge mikazuki eyeline mabuta ni nosete hikaru lip migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon ame no naka de nureta kami ga ijō ni tsumetakute samishisa o toire ni haki dashite furuete matteru oi kake tewa nigeru kara sore ijō de kaeshite shinken dakara warau to itai me ni au yo ii? akai tsume to yasumono no yubiwa kizu tsuku tabi fueru piasu daki yosete yuganda karada umeru nowa anata shika inai sō deshō? wakatteru kuse ni kyōkai sen tokkuni koe teru kōkai wa shinu hodo shiteru sono bun dake kaikan o yobi samasu kurui dashita watashi o tomete isshun de raku ni shite yo kizuguchi kara toke dashita mono wa aijō sore tomo ah... kōkai wa shinu hodo shiteru sono bun dake kaikan o yobi samasu kurui dashita watashi o tomete isshun de raku ni shite yo daki yosete yuganda karada umeru nowa anata shika inai sō deshō? wakatteru kuse ni kyōkai sen tokkuni koe teru migi kata ni murasaki chōcho kiss o shita kono heya no sumi de setsunai to iu kanjō o shiru hibiku piano fukyō waon migi kata ni murasaki chōcho setsunai to iu kanjō o shiru fukyō waon
https://w.atwiki.jp/hmiku/pages/3181.html
【検索用 be alright 登録タグ B VOCALOID u160（ういろー丸P） 初音ミク 曲 曲英】 + 目次 目次 曲紹介 歌詞 コメント 作詞：u160(ういろー丸P) 作曲：u160(ういろー丸P) 編曲：u160(ういろー丸P) 唄：初音ミク 曲紹介 曲名：『be alright』（ビー オーライ） u160(ういろー丸P)氏、73作品目。 歌詞 不安感じて 泣きだして 文句ばっかり 吐きだして いざとなったら 逃げだして 知らん顔して なんもしねえ 「いい加減ホラ 落ち着いて」？ やってられるか めんどくせえ くだらないのは クソくらえ 俺はまだまだ 死にたくねえ everything gonna be alright everything gonna be alright なんとかなる 大丈夫 なんとかする 大丈夫 「生まれたことが間違い」で？ 「ここにいるのは場違い」で？ 「例え死んでも幸い」で？ 不幸自慢は聞きたくねえ 諦めるなら この辺で 戦うのなら 最後まで 共にいくなら 来世まで 付き合っちゃうぜ oh my friend everything gonna be alright everything gonna be alright なんとかなる 大丈夫 なんとかする 大丈夫 叶わない夢 抱いたまま 溺れ死ぬのか このまんま できることなら 逃げだしてえ だけどそんなの できやしねえ everything gonna be alright everything gonna be alright なんとかなる 大丈夫 なんとかする 大丈夫 everything gonna be alright everything gonna be alright なんとかなる 大丈夫 なんとかする 大丈夫 コメント 名前 コメント コメントを書き込む際の注意 コメント欄は匿名で使用できる性質上、荒れやすいので、 以下の条件に該当するようなコメントは削除されることがあります。 コメントする際は、絶対に目を通してください。 暴力的、または卑猥な表現・差別用語（Wiki利用者に著しく不快感を与えるような表現） 特定の個人・団体の宣伝または批判 （曲紹介ページにおいて）歌詞の独自解釈を展開するコメント、いわゆる“解釈コメ” 長すぎるコメント 『歌ってみた』系動画や、歌い手に関する話題 「カラオケで歌えた」「学校で流れた」などの曲に直接関係しない、本来日記に書くようなコメント カラオケ化、カラオケ配信等の話題 同一人物によると判断される連続・大量コメント Wikiの保守管理は有志によって行われています。 Wikiを気持ちよく利用するためにも、上記の注意事項は守って頂くようにお願いします。
https://w.atwiki.jp/nighthorizon2/pages/32.html
『KnightHorizon＜まもりしもの＞』 （――深い蒼に沈む空を蝕む焔の紅。 馬の嘶き、揺れ動く大地、戦いは続く。 小高い丘の其処彼処で鳴り響くのは、命(刃)と命(刃)が擦れ合う不愉快な悲鳴(音)。 陥落寸前の砦の前に佇むは、紅き甲冑で身を固めし戦いの獣。 その＜騎士＞の名は、Randolph。 『夜明けの刃』(Knight Horizon)･Randolph Arkwright。 昇り来る朝日を睨み付け、彼は迫り来る敵の大群へ向け、剣を抜き放った――） 打ち寄せる死(蒼)の恐怖に震えながら男は戦った 彼の背中には護るべき場所が在った 紅き髪 紅蓮の様に 紅き瞳 羅刹の様に 押し寄せる敵(蒼)の衝動 斬り開くは真紅の剣(つるぎ) 渦巻く砂塵は 太陽を遮る 列を成す死者の大群 蒼き炎を抱えて 我等 揺蕩(たゆた)う生の水面に浮かびし者 （『夜明けの刃/真紅の螺旋/不可避の死/三年寝英雄/涙脆い騎士』(Knight Horizon)･Randolph Arkwright。 彼が振るうは慈愛に満ちた無慈悲なる一太刀、それは例外無く無価値な死を届けた。 彼の苦悩と狂乱、そして涙に満ちた日々は続く。 いつまでもいつまでも、昏い夜が明けるまで――） 朽ち果てる己(紅)の幻想に怯えながら男は戦った 彼の背中には護るべき人が在った 紅き刃 血塊(けっかい)の様に 紅き鎧 紅石(あかいし)の様に 突き動かす獣(紅)の衝動 突き穿つは真紅の槍 渦巻く灰燼(かいじん)は 邂逅(かいこう)を齎(もたら)す 熱を持つ生者の軍勢 紅き焔を湛(たた)えて 彼等 弛(たゆ)まぬ死の水底に沈みし者 剣を手に 生を瞳に 約束を心に乗せ 奔(はし)る紅を止められるモノなど 在りはしない 君が歌いたかった夢(歌)を歌おう 君が歌えなかった夢(歌)を歌おう 君と歌える日を夢見て歌おう 「Helena、笑わないで聴いておくれ。理解してくれとは言わない。ただ聴いていてくれるだけでいい。 強い者、弱い者。富める者、貧しい者。賢き者、愚かしき者。誰もが口を揃えて歌える歌、それが私の願う正義の形なんだ。 力無くして語れぬ正義なんて、そんなモノは支配と同じだ。 それでも、時代は支配(正義)を必要としている。誰かが世界を統べ、答え(正義)を示さなければならない。 夜はまだ明けないのなら、私は剣を握るこの手を休めたりはしない、責めたりもしない。 この苦しい時代(夜)の向こうにある、優しい時代(朝)の為に、私は剣を振るう。 それが罪ならばこの身を焼けば良い、それが咎ならばこの身を貫けば良い。 この夜が明けた時、そこに生きる希望(子供)達が笑顔で居られる世界が在る。 ――それが私の、Randolph Arkwrightの、夢なんだ」 戦場に咲き乱れる花 赤い紅い花 戦場で舞い踊る＜騎士＞ 悲しい哀しい＜騎士＞ 奔(はし)る紅を止められるモノなど 在りはしない 立ち上がり 燃え上がり 駆け抜ける 歪(ゆが)む十字(クロス) 紅き剣を手に 紅き雷(いかずち)に成り 紅き焔と共に 紅き獣の如く 掻き抱き もがき抜き 滅び往く 罰の弓矢(アロー) 血の涙 流し在る 罪人の 胸貫く （立ち尽くす英雄、地に伏せる英雄。 その身から零れ出るのは紅い、紅い血(涙)。 『不滅の太陽』(Knight Horizon)･Randolph Arkwrightは、最期の瞬間(時)に幻想(夢)を見た。 死の(蒼い)魔物に意識を喰われながら見たそれは、懐かしい思い出。何よりも美しく、何よりも暖かな思い出。 大好きなあの大きな＜樹＞の木陰。そこで昼寝をしていた頃の優しい記憶(風景)。 涼やかな風、薫る緑。目を開けると、愛しい女性(ひと)の笑顔が在った） 「嗚呼、Helena……見ろ、夜が明ける。 眩しいな……夜明けだ。紅い、紅い夜明けだ。 おかしいな……夜が明けたと言うのに、酷く眠い…… なあHelena……一眠りさせてくれないか？ ゆっくり寝て、夢を見たい。 君の元へ帰ってくるのは、それからだ。いいだろう？ Helena……」 君が歌いたかった夢(歌)を歌おう 君が歌えなかった夢(歌)を歌おう 君と歌える日を夢見て歌おう 泣きながら眠る君の為に 優しい夢(歌)を歌おう……